|
Jan-Erasmus Quellinus or Jan Erasmus Quellinus〔Other name variations: Jan-Erasmus Kwelien, Jan-Erasmus Quellien, Jan-Erasmus Quellincs, Jan-Erasmus Quellingh, Jan Erasmus Quellin; nick names: Corpus, Seederboom, Sederboom〕 (Antwerp, 1634 – Mechelen, 11 March 1715) was a Flemish painter and draughtsman and a member of the famous Quellinus family of artists. He was one of the last prominent representatives of the great Flemish school of history and portrait painting in the 17th century. His work displays the classicizing influences of his father Erasmus Quellinus the Younger and Paolo Veronese.〔(Jan Erasmus Quellinus ) at barokinvlaanderen〕 ==Life== Jan-Erasmus Quellinus was born into a family of sculptors and painters, which included, amongst others, his grandfather Erasmus Quellinus the Elder, his father Erasmus the Younger, and his uncles Artus Quellinus the Elder and Hubertus Quellinus. He was trained by his father from 1649.〔 Jan-Erasmus travelled to Italy where he initially resided in Rome from 1657 to 1659. He became a member of the Bentvueghels, an association of mainly Dutch and Flemish artists working in Rome. It was customary for the Bentvueghels to adopt an appealing nickname, the so-called 'bent name'. Jan-Erasmus was given the bent name "Seederboom" (also written as '' Sederboom''), which means 'cedar tree'. He is also reported to have used another nickname: 'Corpus'. Quellinus later moved to Venice where he resided from circa 1660 to 1661. Here he was influenced by the style of Veronese as is shown by his drawings from that time. During his stay in Northern Italy he was also introduced to the architecture of Palladio, which informed some of the decorative motifs he used in his later compositions. Upon his return to Antwerp in 1661 he joined the Antwerp Guild of Saint Luke as a 'wijnmeester', i.e. the son of a member of the Guild. The next year he married Cornelia Teniers, the daughter of painter David Teniers the Younger. Jan Erasmus Quellinus received many commissions including a large commission for paintings destined for Antwerp’s Saint Michael's Abbey.〔Hans Vlieghe and Iris Kockelbergh. "Quellinus." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 17 Sep. 2015〕 Around 1680 Quellinus worked in Vienna for the Habsburg court as a court painter to Emperor Leopold I. Among other works, the most important commission he completed was a series of 15 ceiling paintings on events in the life of Charles V, Holy Roman Emperor. Some of these works are now in the Kunsthistorisches Museum in Vienna.〔 He returned to Antwerp where between the years 1685 and 1712 he worked on many commissions for churches in Antwerp and throughout Flanders.〔 He also had many pupils including Anthoni Schoonjans, Simon de Marets, Jan Carel van Eyck, Guiliam Draeger (1668-69), Christoffel Franciscus Ponsel, Jacobus de Play (1669-1670), Peeter Heymans, Franciscus Carnonckel, Franciscus Cuylen, Hieronymus Galle (1673-74), Joseph van den Kerckhoven, Davit van den Heuvel, Francis Cools, Allowisius de Meyere, Jan-Baptist Hyacint Breydel, Gaspar (or Jasper) de Cantelbeeck (1685-86), Jan François Blondeau and Jacobus Blondeau (1697-98).〔(Jan Erasmus Quellinus ) at the Netherlands Institute for Art History 〕 From 1712 the artist resided and worked in Mechelen where he died on 11 March 1715.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jan-Erasmus Quellinus」の詳細全文を読む スポンサード リンク
|